AMERICAN SOCIETY FOR 18TH-CENTURY STUDIES
identity for an organization focused on american society in the eighteenth century, on the occasion of their 50th anniversary. the system is rooted in a version of the caslon typeface, originally designed by type designer william caslon in 1722. our solution was to create a clear, historically-appropriate typographic system with simple, elegant applications.
SELECTED WORKS
SF BALLET GALACollateral
DINH Q. LÊ: THE JOURNEY IS RETURNProject type
INTERNAL LOGICBook Design
OLIVIER MOSSET & MIKE BIDLOPOSTER / BROCHURE DESIGN
PEELING BACK THE SKYBook Design
COME HOMEProject type
THE HODGES EFFECTCampaign Design
ALICE RAHONBOOK DESIGN
THE REST BETWEEN TWO NOTESBook Design
SAN JOSE MUSEUM OF ARTProject type
RAUSCHENBERG: A GIFT IN YOUR POCKETBOOK DESIGN
ART MUSEUM DUSTProject type
A BOOK’S BOOKProject type
JOSEPH PHELPS VINEYARDS: THE BEST WE CAN BEProject type
SJMA GALAProject type
MAGGIE TAYLOR: LEWIS CARROLL SERIESProject type
GARDEN OF THE HEART’S DESIREProject type
SEAN MILLERProject type
STAKING CLAIMProject type
SUBTROPICSProject type
OYSTER BOYBranding
TURNING GHOSTS INTO ANCESTORSBook Design
ASIAN ART MUSEUM OF SAN FRANCISCOProject type
ANDREW FLESHER INTERIORSProject type
MAGGIE TAYLOR: NO ORDINARY DAYSProject type
AMERICAN SOCIETY FOR 18TH-CENTURY STUDIESIDENTITY DESIGN
THE TIME BETWEEN: THE SEQUENCES OF MINOR WHITEProject type
ARNOLD MESCHES: A LIFE’S WORKProject type
RAUSCHENBERG & ALBERS: BOX VS. SQUAREProject type
GREATER THAN THE SUMProject type
VAL BRITTON / REVERBERATIONSProject type
FOLIOBOOK DESIGN
BETWEEN SILVER LIGHT AND ORANGE SHADOWProject type
INFOSYS CONFLUENCEProject type
STREETWISE: MASTERS OF 60S PHOTOGRAPHYProject type
© All Rights Reserved. Connie Hwang Design.